Monkeytown with the Cutlery

Thanks to all who managed their way to the couches of Monkeytown last night!  The haunting jingle jangles, clarinet, record player, typewriter and banjo strings of the Cutlery ominously echoed the walls and brought a sultry, nostalgic mood to the shadows.

The room had a nice mellow feeling of serenity throughout our set, and was a lot of fun to edit live in my spontaneous ways of vision. I planned to have the visuals take you on a journey through time. We spent most of the evening floating between the 1920s and 1930s. Flappers, poetic meanderings, dramatic romances, cryptic cartoons and a side of Charlie Chaplan. In addition, lately I’ve been missing one of my very best friends, Zora, who passed away a few years ago. Her and I had just begun to collaborate on beautiful things together in the year before she passed.  I know she would have loved the type of work that I’m doing these days. I always wonder what we would be creating today if she were still around. In our short time together we collaborated on one stopmotion film, Fascade Filosophia (also posted below), a few bare experimental tests of painted waves (will be posting soon) and animated sand.

Fascade, full of dark puppetry and mysterious castles, was a big hit last night from what I heard after the show. It felt amazing to have her with me last night, breathing through the walls. I’ve been missing her something fierce and showing that film reminded me that she’s still here inspiring me everyday. For me, last night’s set was dedicated to her.

That venue is so intimate and personal, I wish I could project visuals there more often. It’s absolutely my ideal space, and motivates me to make better and better work.

Click here to view the embedded video.